Francesca Antonacci e Damiano Lapiccirella
Francesca Antonacci Srl - Antonacci Lapiccirella Fine Art
CONTATTI
Francesca Antonacci Srl - Antonacci Lapiccirella Fine Art
Via Margutta 54
00187 Roma (RM)
T +39 06 45433036
F + 39 06 45433054
C +39 335 6693181; +39 335 6148588



info@alfineart.com
www.alfineart.com

Born out of a merger of two historic galleries, both present on the market for generations, Francesca Antonacci Damiano Lapiccirella Fine Art has become a reference point for fans of Grand Tour paintings, drawings, and sculptures by European artists from between the second half of the 18th century and the first half of the 20th century, and also an exhibition space for shows which are frequently museum-worthy. Over the years, the gallery has taken part in the most prestigious of antiques exhibitions such as the Salon du Dessin and the Biennale des Antiquaires in Paris, Masterpiece London, and TEFAF New York; it also exhibits regularly at TEFAF Maastricht and at the International Biennial of Antiques in Palazzo Corsini, Florence. In the course of its activity, many of its works have joined major public collections such as the National Gallery in Washington, the Getty Museum in Los Angeles, the Modern Art Gallery of Palazzo Pitti in Florence, the Polo Museale Fiorentino, the Capodimonte Museum in Naples, the Prague Museum, the Villa Mansi Museum in Lucca, the Fontainebleau Museum, the Hamburger Kunsthalle in Hamburg, the Musée D'Orsay, the Uffizi Gallery in Florence, the Toledo Museum of Art, USA, Cincinnarti Art Museum, Minneapolis Institute of Art as well as numerous private collections.

NOTIZIE
MODENANTIQUARIA 2024

PADIGLIONE IL GUECINO - STAND 4


Antonacci Lapiccirella Fine Art

Francesca Antonacci e Damiano Lapiccirella

ANTONIO CANOVA
(Possagno 1757 - Venezia 1822 )

Self-portrait of Giorgione

oil on panel, 72,5 x 64 cm

La sensazionale riscoperta del cosiddetto Autoritratto di Giorgione di ANTONIO CANOVA presentato da Antonacci Lapiccirella Fine Art allo stand 8 racconta la storia di una beffa. Si tratta di un dipinto ad olio su tavola, commissionato a Canova dal senatore di Roma il principe Abbondio Rezzonico. Proprio quest'ultimo fu complice nella singolare vicenda dello scherzo ordito dallo scultore nei confronti dei maggiori artisti e intellettuali allora presenti a Roma, a cui in occasione di un banchetto a casa del principe venne presentato questo dipinto realizzato dal Canova su una tavola cinquecentesca spacciandolo appunto per l’Autoritratto eseguito da Giorgione (di cui tanto si favoleggiava ma che si conosceva solo tramite un’incisione del 1648). Tutti i presenti furono concordi nel riconoscere il dipinto come eseguito da Giorgione. Lo scherzo aveva avuto successo e il celebre scultore aveva così dimostrato di essere anche un abile pittore.


VITALIANO MARCHINI
(Melegnano 1888 - Melegnano 1971)

Ardito (Male portrait)

1919
Carrara marble, h. 43 x 26 x 15 cm

PROVENANCE Milan, Regazzoni collection; Rome, private collection


GIOVANNI BATTISTA CAMUCCINI
(Rome 1819 - Rome 1904)

View of ALbano Lake

1840 c.
oil on canvas, 29,5 x 41,5 cm

PROVENANCE: Camuccini family estate, Rome; private collection, Rome.


VINCENZO CAMUCCINI
(Rome 1771 - Rome 1844)

Horatius Cocles

1813 - 1815
oil on canvas, 180 x 250 cm

AFTER 200 YEARS, THE MASTERPIECE OF VINCENZO CAMUCCINI, THE HORATIUS COCLES, COMMISSIONED BY MANUEL GODOY IN 1813, RE-EMERGES PROVENANCE: Manuel Godoy collection; London, private collection; Dragør, Sadolin collection


Opera Notificata

VINCENZO CAMUCCINI
(Rome 1771 - Rome 1844)

The departure of Atilius Regulus

c. 1802
oil on painting, 53 x 80 x 5 cm

This small canvas is a preparatory sketch for one of the most successful commissions that Vincenzo Camuccini was to produce in the fullness of his maturity. It depicts the departure of Marcus Attilius Regulus for Carthage, an episode in Roman history that underscores the heroism of the city's ancient generals.



CATALOGHI E SCHEDE