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© Loraine Bodewes
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Altomani & Sons, Pietro Bracci (Rome 1700-1773) "A wild seahorse restrained by a Triton, model for the Trevi Fountain", Terracotta, 37 x 31 cm, Circa 1759
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Francesca Antonacci Damiano Lapiccirella Fine Art, Jakob Philipp HACKERT (1737 - 1807), View from THE Villa Borghese", Pen and brown ink and black chalk; signed, dated and inscribed in pen and brown ink, upper left: fait dans la Villa Borghesi par Ph. Hackert 1781. 520 by 647 mm
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Paolo Antonacci Antichita’, Franz Ludwig Catel (1778-1856) "View of the Piazza di Monte Cavallo with the Dioscures and the Quirinale Palace in Rome", Oil on canvas, 100 x 137 cm, 1822
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Riccardo Bacarelli, Tommaso Rues (Brunico 1636-1703 Venezia) "Hercules and Antaeus", White Carrara marble, Height 80.5 cm
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Benappi, Daniele Ricciarelli called Daniele da Volterra (Volterra, 1509 – Rome, 4 April 1566), "Madonna with Child, the Infant St. John and St. Barbara", Oil on panel, 171 x 134 cm, Circa 1548
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Botticelli Antichità, Filippo Parodi (1630-Genoa-1702) "Bust of Vitellius", White Carrara marble, Height 75 cm
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Cardi Gallery Lucio Fontana (Rosario 1899-1968 Varese) "Concetto Spaziale, Attese", Waterpaint on canvas, 61 x 50 cm. Signed twice, titled and inscribed on the reverse ‘I. Fontana “Concetto Spaziale” ATTESE il quadro è autentico I. fontana Comabbio 5-4-68’, 1968
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Galleria Cesati, Maestranza Emiliana "Telamone", Italia, Pietra Arenaria, Ultimo quarto ca. del XII secolo, cm 52 × 30 × 24
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Alberto di Castro, Opificio delle Pietre Dure "A pair of table tops", Red porphyry and lapis lazuli, 176 x 82.5 x 3 cm, Florence, first half 19th century
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Alessandra di Castro, Wilhelm Hopfgarten (Berlin 1779-Rome 1860) Benjamin Ludwig Jollage (Berlin, 1781 – Rome, 1837) "Trajan’s Column", Chiselled and gilded bronze, Height 80 cm, Rome, circa 1820
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Giacometti Old Master Paintings. Corrado Giaquinto "Study of a Male Laying Nude", Oil on canvas (unlined, with its original stretcher and frame), 49 x 65.5 cm, Circa 1750
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Lampronti Gallery Carlo Cignani (Bologna 1628-1719 Forlì) "Joseph and Potiphar's wife", Oil on canvas, 270 x 195 cm
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Longari Arte Milano Damiano Zambelli known as Fra Damiano da Bergamo (circa 1480-1549) and workshop "Crucifixion", A walnut, oak, maple, pen-engraved, metal inlaid and fruitwood marquetry panel, 75.5 x 51.5 cm , 1542-1549
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Moretti Gallery Sano di Pietro (1405-Sienna-1481) "Madonna and Child enthroned; Christ Pantocrator", Tempera on panel, 150.3 x 58.4 cm
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Carlo Orsi, Giuseppe Bezzuoli (1784-Florence-1855) "The death of Filippo Strozzi", Oil on canvas, 193.5 x 258 cm, Signed and dated centre-right 'G. Bezzuoli 1838'
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Piva & C, Giovanni Bonazza (Venice 1654-1736 Padua) "A pair of oval reliefs", White marble depicting profiles of Petronia, first wife of Roman emperor Vitellius, and Totila, king of the Ostrogoths, 32.5 x 22 cm. Inscripted 'PETRONIA VITEL. UXOR” and “TOTILA GOTHOR ET. IT. R.', Second decade 18th century
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Robilant + Voena Lucio Fontana (Rosario 1899-1968 Varese) "Concetto Spaziale. Attesa", Water-based paint on canvas, 81 x 65 cm. Signed, titled and inscribed on the reverse 'l fontana / Concetto spaziale / “Attesa” Oggi piove / 1+1 = 666', 1960
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Tornabuoni Art, Alberto Burri (Città di Castello 1915-1995 Nice) "Rosso nero", Cloth, oil and vinavil on canvas, 100 x 86 cm, 1955