The execution of the sculpture recalls the manner of Bernardo Fioriti, a classicist sculptor who was a pupil of the Ferrata, not free from Bernini's influences. Note the style of Fioriti in the schematic management of the volumes, in the stiffness of the shapes and in the graphic tendency of the representation of the folds of the collar, beard and eyes. (in Petrucci F., "Patrons and Historic Houses in the Province of Rome", De Luca editori d'Arte, 2005, p. 44)
