Francesca Antonacci e Damiano Lapiccirella
Francesca Antonacci Srl - Antonacci Lapiccirella Fine Art
CONTATTI
Francesca Antonacci Srl - Antonacci Lapiccirella Fine Art
Via Margutta 54
00187 Roma (RM)
T +39 06 45433036
F + 39 06 45433054
C +39 335 6693181; +39 335 6148588


www.alfineart.com

info@alfineart.com

Born out of a merger of two historic galleries, both present on the market for generations, Francesca Antonacci Damiano Lapiccirella Fine Art has become a reference point for fans of Grand Tour paintings, drawings, and sculptures by European artists from between the second half of the 18th century and the first half of the 20th century, and also an exhibition space for shows which are frequently museum-worthy. Over the years, the gallery has taken part in the most prestigious of antiques exhibitions such as the Salon du Dessin and the Biennale des Antiquaires in Paris, Masterpiece London, and TEFAF New York; it also exhibits regularly at TEFAF Maastricht and at the International Biennial of Antiques in Palazzo Corsini, Florence. In the course of its activity, many of its works have joined major public collections such as the National Gallery in Washington, the Getty Museum in Los Angeles, the Modern Art Gallery of Palazzo Pitti in Florence, the Polo Museale Fiorentino, the Capodimonte Museum in Naples, the Prague Museum, the Villa Mansi Museum in Lucca, the Fontainebleau Museum, the Hamburger Kunsthalle in Hamburg, the Musée D'Orsay, the Uffizi Gallery in Florence, the Toledo Museum of Art, USA, Cincinnarti Art Museum, Minneapolis Institute of Art as well as numerous private collections.

NOTIZIE
BIENNALE INTERNAZIONALE DELL'ANTIQUARIATO DI FIRENZE - STAND 8

Tra le opere presentate, Ritmi un capolavoro di Attilio Selva del 1914, presentato alla Terza Mostra della Secessione a Roma del 1915, una seducente scultura esempio di una modernità composta e misurata, dove ogni equilibrio formale sembra nascere da un sapiente gioco di pesi, pause e giustapposizioni. Dello stesso raffinato gusto secessionista è permeata anche l'opera di Vito Timmel, Amazzone del 1915, un capolavoro di straordinaria forza evocativa esposto alla Quadriennale di Torino del 1923. Cambia atmosfera, ma non intensità, con un curioso e raffinato dipinto del 1832 di Victor Delacroix - artista dal cognome inevitabilmente suggestivo - ispirato al romanzo del celebre scrittore scozzese Walter Scott L’Antiquario. E poi un’apparizione rarefatta: una Penelope di Alberto Savinio, disegno del 1945 di straordinaria finezza, sospeso tra mito, memoria e quell’inconfondibile eleganza enigmatica che rende il suo linguaggio così unico.


Antonacci Lapiccirella Fine Art

Francesca Antonacci e Damiano Lapiccirella

VICTOR DELACROIX
(Paris 1802 - Roubaix 1868)

Sir Arthur and Miss Wardour Surprised by the Rising Tide

1832
Oil on canvas, 92 x 66 cm

A curious and refined painting from 1832 by Victor Delacroix – an artist with an inevitably evocative surname – inspired by the novel "The Antiquary" by the famous Scottish writer Walter Scott. In a scene brimming with narrative tension, the storm, the churning sea and literary heroism are rendered in a painting of great quality, capable of transforming a romantic episode into a vivid and compelling visual narrative.


JEAN-ACHILLE BENOUVILLE
(Paris 1815 - Paris 1891)

View of Villa Medici

1864
oil on canvas, 55 x 91 cm

Firmato e datato in basso a destra: Benouville Rome 1864 Provenienza: probabilmente Vendita della Principessa Matilde Bonaparte, Parigi, 18-19 maggio 1904, n. 90, 210 F



CATALOGHI E SCHEDE